I finished this book over a week ago, but then promptly packed up to go
visit my grandmother, and was nowhere near a computer. My grandmother
turned 95 on Friday. She's a pretty remarkable woman. There's a story
that is told in women's history circles, about the classic assignment to
go interview your grandmother, and how everyone comes back, convinced
that their grandmother was a "feminist," whether or not their
grandmother would have agreed with that assessment. Everyone's
grandmother seems to be more opinionated, stronger, and more capable
than they were expecting, and that translates in their heads, into
"feminist."
I get to actually do that, because my grandmother
would call herself a feminist. She rails every time someone tries to
restrict access to birth control. And her life was very directly
affected by societal expectations for women. She wanted to be a doctor,
but her father wouldn't pay for that education. She became a nurse
instead. She married an engineer, and very unexpectedly, became a
minister's wife. She liked cities, and ended up living in small towns
most of her adult life, as my grandfather's work, first as an engineer
and later as a minister, took them up north to New Liskeard, and then
later, to manses in small town Harrowsmith and Brownsville. She loved my
grandfather, but I'm not entirely sure how much she liked being a
minster's wife.
A lot of her life was out of her own control, and I'm very sure that frustrating.
Sorry,
that's mostly a digression. I just wanted to tell you a little bit
about my wonderful grandmother, who makes quilts that are more beautiful
and vivid than any quilts I've ever seen, who has been studying colour
her whole life. Who taught me how to swear (or maybe it was my mother.
This is still up for debate.) Who, at 95, spends most of her downtime
doing sudoku puzzles. Who ends every phone conversation with me with
"don't forget I love you."
I was thinking about that in the
context of this book, how very culture specific this book is, and yet
how much of it she might still have identified with. She's seen a lot of
changes in women's lives, the struggles that have passed and the
struggles that are still here.
Moran is trying to write a new
manifesto, which I'm not entirely convinced she does, but the book is
entertaining, and as consciousness-raising groups in the sixties well
knew, sometimes the place to start is by sharing our own personal
stories, and beginning to realize how some difficulties are both shared,
and have deeper roots than we had previously perceived.
How To Be A Woman
is fun. It's fairly light. It is unapologetically feminist. I don't
agree with all of her assertions, but I enjoyed reading it, and had fun
with her takedowns of some of the experiences women have in common that
are a pain in the ass, and yet unavoidable. We need these pop culture
explorations of feminism to accompany all those works of theory.
It's
mostly a memoir, really, focused around parts of her life that have
most to do with being a woman, and what that means in a society that
still lays a lot of contradictory expectations on women. It also makes
me thankful for what feminism has achieved so far. Heck, in my life,
it's likely going to be me who moves for a job, and my husband who gets
dragged along.
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