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Monday 4 February 2019

Downward to the Earth by Robert Silverberg

Elephants are interesting creatures. They're intelligent, inventive, and so, so much bigger than we are. I guess I'm not totally surprised that when science fiction writers go looking for ways to conceptualize alien species, they might come up with something that is remarkably elephant-like. I'm just surprised that I can point to several different examples of elephant-like aliens. Maybe my SF/F book club will do a theme on that at some point.

What does having an elephant-like alien species do? It puts humans in a physically fragile spot, and challenges our ability to empathize with them, I guess. In one of the books I've read, the elephant-like species is an invading and technologically superior force coming to earth, while Silverberg's take on this seems very much patterned on India immediately after the withdrawal of the British colonial forces, except without the division of India and Pakistan.

Silverberg also seems to be trying to do a Heart of Darkness thing here, as the main character travels deep into native territory to find a man named Kurtz, who is rumoured to have become a dark and terrible reflection of himself.  (It's been a long time since I've read Heart of Darkness, so I don't have a lot more to say than that. I wish I remembered more, so I could do a deeper dive.)

Using alien species as ways to examine race is, of course, not new in science fiction, but it is problematic. Who we call alien, and what features we project on to aliens has a logic all its own, and not a subtle one. The other is always the racialized other, and "humans" tend to speak from a white American or European standpoint. It flattens out races among humanity, making the default human characters almost universally white, and where they are not white, experience of race is rarely mentioned. It tends to get almost entirely projected outward. It's a nice fantasy to imagine a  universe where humans had utterly moved beyond internal racism and only retained external aspects...well, that's not really that pretty, and also pretty damned unlikely. As above, so below.

So, with all that being said, how does it work, in this particular book? The book is self-consciously hearkening back to certain aspects of British colonialism, although the humans are not necessarily British. There feel like strong parallels to India. (Interestingly, the only female human in the book has a name that suggests she might possibly be of Indian descent, but if there's a specific description that makes it clear, I missed it. The perils of not thinking visually.)

Wait, do the not-elephants have any women? Do they have any genders? There's a reference to two of the nildoror having sex, but when we meet individual nildoror, I feel like they're all given male pronouns, whether or not they would be applicable. Huh. I will have to check this.

The main character is a former colonial administrator returning to a planet, contrite that he was so racist before. Now he is seeing the nildoror as sentient beings for the first time, and not just beasts of burden, which is how he used to treat them. Most humans have left the planet as it is turned back over to the nildoror, but he has come, thinking to travel to the Valley of Mists to undertake the nildoror rebirthing ceremony. No human has reported on this ceremony, and while a few humans are rumoured to have undergone it, the stories say they come back as monsters. (Guess what might have happened to Kurtz!)

There is another intelligent race on the planet, the sulidoror, which are much like humans, and the main character now sees them everywhere, when they were mostly hidden before. He assumes the nildoror have subjugated the sulidoror in turn, but the answer is more interesting than that. And then the end of the book, oh what to make of the end? We get a turn to enlightenment in a Buddhist sense, or to incarnation in a Christian one.

If you like older science fiction, and this peaks your interest, it might be worth a read. It's not a perfect book, and some of the blind spots are rather glaring, but I found what Silverberg was trying to do here quite interesting.

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